I was raised by a gardener and a wood carver; both lovers of nature. I was surrounded by the Appalachian mountains and was taught early on about the differences between perennials versus annuals and to respect and protect nature. I am a painter, a writer and am deeply curious and protective of the environment. I have an abiding love for all natural forms. These paintings consist of garden-escapes that aim to whisk the viewer away and into fanciful flights from everyday life. My paintings are a reflection of time as I dream of travel from my backyard.
This series of paintings emerged during the global pandemic. In my back yard nature seemed to slow down and become magnified more than ever before. My “garden-escapes” capture this slow revolution of time. The paintings offer delight through hidden gems waiting to be discovered in a space overlapping with light and ethereal layers. The imagery in this series uses distinct and navigable representation of objects found in nature combined with the mystical, unknowable, and ultimately freeing spaces that raise the spirit and offer an escape for the mind.
“Garden of Eden”
2021
96in. x 54in., Gold leaf, acrylic and oil and canvas
(8 feet x 4.5 feet)
This piece was started in March 2020 at the beginning of lockdown and was completed a year later in March 2021. This painting is a metaphor for temptation and the world in which we live today. There are 13 animals within the piece, each with a purpose and a given fate. The python is tempted by the apple, which is a symbol of original sin. The sloth is tempted by slow-moving time. These drowsy tree-dwellers sleep up to 20 hours a day. Even when they are awake, they barely move at all, missing much of life and its constant change. The toucan doesn’t realize he has two predators at his rear, the green python and the cougar. He is joyfully flying towards the chameleon without looking back. The peacock is tempted by the death’s-head hawkmoth larvae. Although he may look delicious, he is venomous to birds and when threatened, they click their mandibles and try to bite their attacker. When they change from larvae to moth, a skull-like mark is apparent on its thorax. Two large moths were discovered in the bedchamber of King George III in 1801, during his second major incident of madness. The peacock also has the leopard as a predator. The baby chimpanzee has the python as a predator. The butterflies can be eaten by chimpanzees, pythons, tree frogs and chameleons. Although chameleons are near the bottom of the food chain and can be eaten by pythons, toucans and the baby chimp. The leopard is tempting the viewer with her unusual color and gaze. Is she friendly, or will she attack? The viewer is tempted by the setting as a whole. Is it inviting and fantastical or too good to be true?
“Chasing Shadows”
2021
40in x 40in, Oil, acrylic, pastel & spray paint on beveled tondo (round) canvas
“Viva”
2021
40in x 40in, Oil, acrylic, soft paster, graphite and stitching on beveled tondo (round) canvas.
“Blueberry Picnic”
2021
36in. x 12in. 18in x 24in oil, acrylic, soft pastel and thread on layered canvas
“Among Papaya Flowers”
2021
18in x 24in., Featuring the Eurasian hoopoe, Oil, Acrylic, soft pastel and graphite on canvas
“The Wisdom of Hindsight”
2021
24in x 24in, featuring the burrowing owl. Oil, acrylic, graphite, gold leaf, heavy weight sewn thread, and canvas on stretched linen.
“Julie’s Garden I”
2021
Semi-abstract Oil, acrylic & collage chinosierie garden-scape on large-scale archival paper
“Julie’s Garden II”
2021
Semi-abstract Oil, acrylic & collage chinosierie garden-scape on large-scale archival paper